bebop / free (1948)

Thelonious Monk, piano; Milt Jackson, vibraphone; John Simmons, bass;
Shadow Wilson, drums.

This is a simple blues but is typical not only of Monk but also of the revolutionary spirit of bebop. The melody would be very difficult to sing and would be awkward even for most wind instruments. Its large intervals can be easily played on the piano and the vibes. Monks solo demonstrates his use of harmonic extensions; they are isolated and harsh. The short quips that make up his solos and accompaniments add a unique quality to this blues. Notice the difference between the solos of Milt Jackson and Monk. Jacksons fluid technique contrasts sharply with Monks disjunct angularity. Monks style led many listeners to conclude that he was a poor pianist. That and his eccentric displays on stage led some to consider his performances mere shows instead of serious musical endeavors. However, his performances have outlived most of those who criticized.
